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Vanishing monuments : a novel

by Stintzi, John Elizabeth,

Format: Print Book 2020
Availability: Available at 7 Libraries 7 of 7 copies
Available (7)
Location Collection Call #
CLP - Allegheny Regional Fiction FICTION Stintzi
Location  CLP - Allegheny Regional
 
Collection  Fiction
 
Call Number  FICTION Stintzi
 
 
CLP - East Liberty LGBTQ FICTION Stintzi
Location  CLP - East Liberty
 
Collection  LGBTQ
 
Call Number  FICTION Stintzi
 
 
CLP - Main Library First Floor - LGBTQ FICTION Stintzi
Location  CLP - Main Library
 
Collection  First Floor - LGBTQ
 
Call Number  FICTION Stintzi
 
 
CLP - Sheraden Fiction Collection FICTION Stintzi
Location  CLP - Sheraden
 
Collection  Fiction Collection
 
Call Number  FICTION Stintzi
 
 
CLP - South Side Fiction FICTION Stintzi
Location  CLP - South Side
 
Collection  Fiction
 
Call Number  FICTION Stintzi
 
 
CLP - Squirrel Hill Fiction Collection FICTION Stintzi
Location  CLP - Squirrel Hill
 
Collection  Fiction Collection
 
Call Number  FICTION Stintzi
 
 
CLP - West End Fiction Collection FICTION Stintzi
Location  CLP - West End
 
Collection  Fiction Collection
 
Call Number  FICTION Stintzi
 
 
Summary

A brilliant novel whose lead character returns home to their long-estranged mother who is now suffering from dementia.

Alani Baum, a non-binary photographer and teacher, hasn't seen their mother since they ran away with their girlfriend when they were seventeen - almost thirty years ago. But when Alani gets a call from a doctor at the assisted living facility where their mother has been for the last five years, they learn that their mother's dementia has worsened and appears to have taken away her ability to speak. As a result, Alani suddenly find themselves running away again - only this time, they're running back to their mother.

Staying at their mother's empty home, Alani attempts to tie up the loose ends of their mother's life while grappling with the painful memories that - in the face of their mother's disease - they're terrified to lose. Meanwhile, the memories inhabiting the house slowly grow animate, and the longer Alani is there, the longer they're forced to confront the fact that any closure they hope to get from this homecoming will have to be manufactured.

This beautiful, tenderly written debut novel by Bronwen Wallace Award for Emerging Writers winner John Elizabeth Stintzi explores what haunts us most, bearing witness to grief over not only what is lost, but also what remains.

Published Reviews
Booklist Review: "The novel's narrator answers, under certain circumstances, to Alani, Al, Allie, Annie, Sofia, even Hedwig or Hedy, although the latter two are names belonging to the narrator's mother. For the last 27 years, parent and child have been estranged, since a 17-year-old Alani ran away from Winnipeg with girlfriend Genny to Minneapolis, never intending to go back. In middle age, Alani is comfortable (enough), settled in a little house across the street from Genny, teaching as a local "visiting professor" who has never left, hired despite having nothing more than a GED, and currently enjoying national recognition as an unconventional photographer. Now, mother lies in a care facility, her dementia having erased her past and, recently, even her voice. Alani is pulled to return, to confront the "memory palace," their home before the schism, a house that still holds within its walls too much dysfunction, dislocation, and loss. Ontario-born, Missouri-based nonbinary poet Stintzi makes their fiction debut, leading Alani room by room through a stifling labyrinth, surviving madness and memory to somehow, maybe, emerge, finally, whole."
From Booklist, Copyright (c) American Library Association. Used with permission.
Publisher's Weekly Review: "In Stintzi's ambitious debut novel (after the poetry collection Junebat) a nonbinary photographer based in Minneapolis struggles to break through the barriers of their past. The photographer, Alani Baum, navigates their "memory palace" after their mother's dementia takes a turn for the worse and they return to their childhood home in Winnipeg for the first time in 30 years. The components of the palace guide the narrative through collaged passages that examine the space's fixed points. Chapters titled "The Living Room" and "The Stairs" open on scenes narrated in the second person, bringing the reader into rooms where walls are "covered in memories." Stintzi ties Alani's troubled history with their mother to readings of Ovid, descriptions of photographs, and past travels from the narrator's life that reach as far as Hamburg, where Alani worked as a model for photographer Erwin Egger. Certain moments stand out vividly--a description of Alani navigating their nonbinary identity through the metaphor of a labyrinth and a Minotaur, the detailed construction of Erwin's photographic compositions--but they don't all cohere in the long run. Still, Stintzi's skill shines through in well-crafted sentences and narratives. Despite its weaknesses, Stintzi's first foray into the novel form displays a visionary approach with the refreshing touch of a poet. (May)"
(c) Copyright PWxyz, LLC. All rights reserved
Additional Information
Subjects Gender-nonconforming people -- Fiction.
Mother and child -- Fiction.
Dementia -- Patients -- Fiction.
Memory -- Fiction.
Psychological fiction.
Domestic fiction.
Publisher Vancouver :2020
Language English
Description 320 pages ; 21 cm
ISBN 9781551528014
1551528010
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