Summary
This retrospective volume celebrates five decades of Howardena Pindell's art, including works on paper, collage, photography, film, and video.
Born in middle-class Philadelphia in the 1940s, Howardena Pindell came of age during the Civil Rights movement. As an African-American woman artist, making her way in the world provided Pindell with source material to inspire her work. This book examines every facet of Pindell's impressive career to date. Since the 1960s, she has used materials such as glitter, talcum powder, and perfume to stretch the boundaries of traditional canvas painting. She has also infused her work with traces of her labor, such as obsessively affixing dots of pigment and circles made with an ordinary hole punch tool. After a car crash in 1979 left her with short-term amnesia, Pindell's work looked beyond the painting studio to explore a wide range of subjects, including the personal and diaristic as well as the social and political. This monograph also highlights Pindell's work with photography, film, and performance. Excerpts from the artist's writing, in particular her critique of the art world and her responses to feminism and racial politics, provide prescient commentary in light of conversations around equality and inclusion today.
Published in association with the Museum of Contemporary Art Chicago
Born in middle-class Philadelphia in the 1940s, Howardena Pindell came of age during the Civil Rights movement. As an African-American woman artist, making her way in the world provided Pindell with source material to inspire her work. This book examines every facet of Pindell's impressive career to date. Since the 1960s, she has used materials such as glitter, talcum powder, and perfume to stretch the boundaries of traditional canvas painting. She has also infused her work with traces of her labor, such as obsessively affixing dots of pigment and circles made with an ordinary hole punch tool. After a car crash in 1979 left her with short-term amnesia, Pindell's work looked beyond the painting studio to explore a wide range of subjects, including the personal and diaristic as well as the social and political. This monograph also highlights Pindell's work with photography, film, and performance. Excerpts from the artist's writing, in particular her critique of the art world and her responses to feminism and racial politics, provide prescient commentary in light of conversations around equality and inclusion today.
Published in association with the Museum of Contemporary Art Chicago
Contents
Opening thoughts / Naomi Beckwith, Valerie Cassel OliverClearly seen : a chronology / Sarah Cowan
Synthesis and integration in the work of Howardena Pindell, 1972-1992 : a (re)consideration / Lowery Stokes Sims
Body optics, or Howardena Pindell's ways of seeing / Naomi Beckwith
The tao of abstraction : Pindell's meditations on drawing / Valerie Cassell Oliver
Howardena Pindell : negotiating abstraction / Charles Gaines
Interrupting the broadcast : Howardena Pindell's video drawings / Grace Deveney
Coming to voice : Howardena Pindell's free, white and 21 / Brian Wallis
Roundtable discussion on the work of Howardena Pindell / Naomi Beckwith, Valerie Cassel Oliver, Marilyn Minter, Lorna Simpson, Molly Zuckerman-Hartung
The Howardena Pindell papers. Kellie Jones : Howardena Pindell interview ; On making a video ; Artist's statement ; On planning an exhibition ; Review of an exhibition ; Who do you think you are? One of us?
Additional Information
Subjects |
Pindell, Howardena,
-- 1943-
-- Exhibitions.
Pindell, Howardena, -- 1943- -- Criticism and interpretation. |
Publisher | Chicago, IL : Munich :Museum of Contemporary Art Chicago ;2018 DelMonico Books/Prestel, |
Other Titles | Works. |
Contributors |
Pindell, Howardena,
1943- Works.
Beckwith, Naomi, editor. Cassel Oliver, Valerie, editor. Museum of Contemporary Art (Chicago, Ill.), host institution. Virginia Museum of Fine Arts, host institution. Rose Art Museum, host institution. |
Language |
English |
Notes |
Published on the occasion of the exhibition of the same name held at: Museum of Contemporary Art Chicago, February 24-May 20, 2018; Virginia Museum of Fine Arts, Richmond, August 25-November 25, 2018; and The Rose Art Museum, Waltham, Massachusetts, January 24-June 16, 2019. |
Description |
270 pages : illustrations (some color) ; 32 cm |
Bibliography Notes |
Includes bibliographical references (pages 238-242) and index. |
ISBN | 9783791357379 3791357379 |
Other | Classic View |