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The death of Vishnu

by Suri, Manil.

Format: Print Book 2001
Availability: Available at 6 Libraries 6 of 6 copies
Available (6)
Location Collection Call #
Andrew Carnegie Free Library Fiction Fic SURI
Location  Andrew Carnegie Free Library
 
Collection  Fiction
 
Call Number  Fic SURI
 
 
Bethel Park Public Library Fiction FIC SURI Manil
Location  Bethel Park Public Library
 
Collection  Fiction
 
Call Number  FIC SURI Manil
 
 
CLP - Main Library First Floor - Fiction Stacks FICTION Suri,
Location  CLP - Main Library
 
Collection  First Floor - Fiction Stacks
 
Call Number  FICTION Suri,
 
 
Community Library of Castle Shannon Fiction Fic Suri
Location  Community Library of Castle Shannon
 
Collection  Fiction
 
Call Number  Fic Suri
 
 
Northland Public Library Fiction FIC SURI
Location  Northland Public Library
 
Collection  Fiction
 
Call Number  FIC SURI
 
 
Penn Hills Library Fiction SUR
Location  Penn Hills Library
 
Collection  Fiction
 
Call Number  SUR
 
 
Summary
At the opening of this masterful debut novel, Vishnu lies dying on the staircase he inhabits while his neighbors the Pathaks and the Asranis argue over who will pay for an ambulance. As the action spirals up through the floors of the apartment building we are pulled into the drama of the residents' lives: Mr. Jalal's obsessive search for higher meaning; Vinod Taneja's longing for the wife he has lost; the comic elopement of Kavita Asrani, who fancies herself the heroine of a Hindi movie.Suffused with Hindu mythology, this story of one apartment building becomes a metaphor for the social and religious divisions of contemporary India, and Vishnu's ascent of the staircase parallels the soul's progress through the various stages of existence. As Vishnu closes in on the riddle of his own mortality, we wonder whether he might not be the god Vishnu, guardian not only of the fate of the building and its occupants, but of the entire universe.
Published Reviews
Booklist Review: "Suri, a mathematics professor at the University of Maryland, has entered the realm of literature with assurance, agile humor, and an impressive breadth of social and religious concerns. His first novel, set in Bombay, the city of his birth, conjures a beehive-busy microcosm within the walls of an apartment building. Two Hindu families bicker about water and ghee; a Muslim household is pitched into confusion when its mild-mannered patriarch turns fanatic in his pursuit of enlightenment; a Hindu girl and Muslim boy imagine that they're in love; and Vishnu, the drunk who sleeps on the first-floor landing, drifts peacefully toward death. As he lies dreaming about love, his childhood, and his divine namesake, his neighbors fret over their tired marriages, knotty questions of status and faith, and responsibility for Vishnu. The gospel of the movies is just as influential as the Koran and the Bhagavad Gita in Suri's tenderly comic, wryly metaphysical, and hugely entertaining tale, in which profound longings for romance and deliverance shape even the most modest (perhaps the most precious) of lives. Donna Seaman"
From Booklist, Copyright (c) American Library Association. Used with permission.
Publisher's Weekly Review: "Visualizing a village, a hotel or an apartment building as a microcosm of society is not a new concept to writers, but few have invested their fiction with such luminous language, insight into character and grasp of cultural construct as Suri does in his debut. The inhabitants of a small apartment building in Bombay are motivated by concerns ranging from social status to spiritual transcendence while their alcoholic houseboy, Vishnu, lies dying on the staircase landing. During a span of 24 hours, Vishnu's body becomes the fulcrum for a series of crises, some tragic, some farcical, that reflect both the folly and nobility of human conduct. To the perpetually quarreling first-floor tenants, Mrs. Pathak and Mrs. Asrani, Vishnu is a recipient of grudging charity and casual calumny; each justifies her refusal to pay for his hospitalization. Though locked in perpetual bickering, the women are united in their prejudice against their upstairs neighbors, the Jahals, who are Muslims. While Mr. Jahal seeks to test his intellectual agnosticism by seeking spiritual enlightenment, his son, Samil, and the Asranis' spoiled, willful daughter, Kavita, prepare to defy their families by running away together. On the third floor, reclusive widower Vinod Taneja still mourns his young wife, Sheetal; their story of tentative love blossoming into deep devotion and truncated by early death is an exquisite cameo of a marital relationship. Interspersed are Vishnu's lyrically rendered thoughts as his soul leaves his body and begins a slow ascent of the apartment stairs, rising through the stages of existence as he relives memories of his gentle mother and his passion for the prostitute Padmina. Suril has a discerning eye for human foibles, an empathetic knowledge of domestic interaction and an instinctive understanding of the caste-nuanced traditions of Indian society. The excesses of life in that countryDthe oppressive heat, the mixture of superstitions and religious fanaticism, the social crueltyDpermeate the atmospheric narrative. By turns charming and funny, searing and poignant, dramatic and farcical, this fluid novel is an irresistible blend of realism, mysticism and religious metaphor, a parable of the universal conditions of human life. Agent, Nicole Aragi. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved"
(c) Copyright PWxyz, LLC. All rights reserved
Additional Information
Subjects Vishnu -- (Hindu deity) -- Fiction.
Apartment houses -- Fiction.
Mumbai (India) -- Fiction.
Publisher New York :Norton,2001
Edition 1st ed.
Language English
Description 295 pages ; 25 cm
ISBN 0393050424
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